Béatrice Darmagnac shares her experience of life in their home with her partner and family in all its dimensions—architectural, technical, landscape-related, memorial, and emotional. She confronts us with a way of “living” that brings to mind philosopher Gaston Bachelard’s The Poetics of Space. Her multi-voiced narrative intertwines the artists’ daily lives with those of their domestic space. Gradually, we feel trapped in a disaster movie scenario. Fear gives way to anger; creation and struggle intertwine. Human relationships oscillate between low blows and solidarity. The artists manage to seize upon this house—which contracts and retracts into its ground, destabilized by climate change—as an object of research and mise en abîme. The text (In French) explores the various languages that weave together this narrative: fragments of ordinary life, portmanteau words and neologisms to express the unthinkable, and the cold terminology of the legal system. Gradually, the singular story transforms into a universal narrative: what happens to the occupants of this house may await us all and raises a crucial question: what do we inherit? Do the landscape or childhood memories take precedence over market value? · Fanny Léglise
Nouvelles saisons
self-portraits of a territory